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Posts tagged ‘Kilderkin’


Edinburgh Fringe 2018: Days 1-3

Edinburgh Fringe 2018 is now underway and I am going to avoid using the obvious pun of saying it’s been A Mixed Bag so far, because it’s actually been pretty good.

How to Win a Pub Quiz has been selling out pretty much every day so far, which is amazing. I’m in Stand 2 this year, which is one of the very best rooms at the Fringe.

Nevertheless, I am missing the terrace out the back of Stand 5, where I would sit for many an hour after my show and was often bought pints by audience members. But from a time and health perspective, it’s something that I can’t really do this year.

The three HTWAPQ shows so far have all been really fun. The new set is getting there, but I’m still tweaking with every show. There is still room for improvement, but it doesn’t require quite so much drastic editing as last year.

For Stop the Press, I Want to Get Off, I’m back at the Kilderkin for the first time since 2015, with a brand new show for the first time since 2014. When I left there, I was playing to packed rooms and turning people away.

Then for my first show Saturday, I had ten people in and two walked out. It didn’t feel quite so much like a triumphant return to my spiritual home, especially as it was a Saturday. But I have to detach myself from comparing it to HTWAPQ. This show is a different animal, albeit a less successful animal. And you really don’t know how something’s going to go until you give it a try.

One disadvantage I have this year is that I have to get the room set up every day an hour before my show starts, which cuts into vital flyering time. I need to figure out a way around this.

The first show itself was a good start. The eight people laughed a decent amount at mostly the right points, I didn’t let the energy dip and made it through the entire set without looking at my notes or even writing my set on my hand.

The second show was much better. I must have at least 20 people in and they were great. There were some big laughs throughout. The show isn’t quite where I want it yet, but it’s getting there with every performance. And it now feels as though I have an actual show on my hands instead of an unsuccessful side-project.


The Fringe ever-nears

I had my first show in 2018 for How To Win A Pub Quiz. It was in Oxford and I managed to get a decent sized crowd.

It’s a different set to previous years, or at least meant to be. As with many gigs, time conspired against me and I didn’t have enough time to get my set together. It wasn’t quite as much of a manic rush as the Newcastle show in October, but it wasn’t far off.

I ended up only doing ten minutes of material at the top and forgetting a large chunk of new stuff I’d supposedly written. It was a nice gig, the quiz was fun, but I felt a little rusty. It’s certainly motivation to make it better, especially with time running out.

I have been toying with the idea of dropping the traditional film sketch just before the quiz begins, but have since realised that it is an integral part of the show. I’ve written a new one, so hopefully it’ll be as well received. But the previous one had been honed over four years, so it may take a few attempts to get it to where I need it.

I was also meant to have a previous last week for Stop the Press…, but it was rescheduled after England ended up doing far better in the World Cup than anyone ever expected. But due to the lack of time to promote the show, the rescheduled one ended up being pulled too. The show is getting closer to where I went it, but it’s not quite there yet.

I’m previewing both shows in Beverley, East Yorkshire, on Saturday, which at the moment will be my last one for Stop the Press before I return to the Kilderkin.

Then I have one more Pub Quiz at the Hollybush in Cradley Heath next Friday. I’ll keep an eye out for others, but that may the last stop before Edinburgh and I’ll have bypassed London for previews for the first time ever.

I’ve been trying to get a final preview sorted for my hometown of Stroud on the last weekend of July, but I think I may have left it too late to get anything organised and promoted effectively now. There is only so much emotional blackmail you can do to friends in a short period of time.



This year, I am prioritising getting new material honed over paid gigs. It’s just as well, because otherwise driving a 175-mile round trip to Birmingham on Friday night for what turned out to be a reduced set of five minutes at a spoken word night might seem like a complete waste of time.

The other side of this is that I’m getting offered barely any paid gigs, but I’m also not actively sending requests for them. After eight years of plugging away, a logical person might consider this to be a pretty shocking failure.

When things aren’t going well, it’s all too easy to blame other factors such as the audience, the way the gig is run, not getting enough sleep, or needing a poo before the gig and there being no soap or toilet roll. But after a while, these just become justifications for your own failures. Either you get bitter, or you can keep trying to get better. It’s just one vowel’s difference and cheesy as hell, but I do love cheese.

Also, I’ve done two official sold-out runs at Edinburgh Fringe. So shut up, logical person. Admittedly, this does put me among pretty exclusive company among the circuit stragglers.

On the flip side of this, the new stuff has been going really well for the most part. I’ve suddenly got a lot more stuff that is getting to the level of where it needs to be. This has been achieved by writing, trying it out, writing some more, trying it out again slightly differently, then more writing and more gigging. There’s no secret to it other than hard work and that’s the key thing. I have been far too lazy in the past few years. I’ve not been booking up enough gigs or writing and performing enough.

The other thing behind this is that I am writing and testing stuff for my new hour show. It definitely helps to have a focus and a target to aim for. In August, I will be returning to the Kilderkin for Stop the Press, I Want to Get Off.

When you’re planning a show, it’s useful to have an idea of the venue in mind and there are few rooms I know better than the Kilderkin. In fact, I am fairly sure it’s where I have performed the most number of times. A quick calculation suggests that this is around 80 times from four runs at the Fringe, with only Walthamstow’s Ye Old Rose and Crown coming anywhere close to that and those were monthly gigs over six years. This isn’t something I’d ever thought of until now.

I’ve done two previews so far. At both, what I thought would be an hour turned out to be just over 40 minutes. This was fine at the second as it didn’t matter if I ran under. However, at the first one, I was part of the world record attempt for the longest running comedy gig and had to make sure that I at least did an hour. Fortunately, I had my notebook and was able to pick out bits of material to ensure I went the distance. My comedy accomplishments are now: two sold-out Edinburgh Fringe runs, a world record, and a white sock from all those dodgy nights in Tooting.

My new show still needs a fair amount of work, but I like the direction I’m going with it. I’ve got another preview on Thursday, but definitely need to book up several more.

Oh, and I’ll also be doing How To Win A Pub Quiz for the full-run at Stand 2 in August. I just couldn’t leave it alone.