Your browser (Internet Explorer 6) is out of date. It has known security flaws and may not display all features of this and other websites. Learn how to update your browser.
X

Archive for August, 2017

Post

Edinburgh Fringe 2017 – Day 4-9

After the first three shows of trying to find my rhythm, I hit my stride on the fourth show and it has been fairly consistent since then. As a rule, the less I write here, then the better the shows are going.

A significant improvement came as a result of me cutting newer bits that weren’t working as well as I’d hoped, and using sections that I know work from previous runs.

Surprisingly, finishing the quiz with the final question involving a track from Paul from S Club 7’s metal band didn’t prove very popular. I have since reworked the show and dropped this track entirely, reverting to stuff that I know works for the paying punter.

I have always been really lucky with the audience I get for this show, and the last few gigs have been no exception. It is both bizarre and amazing just what an extreme reaction answering a question correctly provokes in people. Every audience has been really competitive, determined to win, and arguing passionately that they deserve a point for their answer.

In review news, I have received my first ever four-star review for anything. This is nice, but I’m firmly of the belief that reviews in Edinburgh don’t matter quite as much as people expect, and usually fade away once August has ended. Nevertheless, there’s part of me that wants to better this still. On the best days, it feels like a five-star show. So, even though many reviews are fairly meaningless, it would be nice to get some text and characters to prove that I’m not completely delusional in my belief in the show.

When I started the run and wasn’t enjoying it so much, I was counting down the days for how many performances I have left. Now things have picked up, I want to be up here longer.

Post

Edinburgh Fringe 2017 – Day 1-3

Three shows into Edinburgh Fringe 2017 and I’m exhausted already. Things have been going pretty well, with definite room for improvement.

The best show so far was the first one on the Friday, with an audience that was both competitive and argumentative. Saturday’s and Sunday’s were surprisingly reserved by this show’s standards.

I’ve added a few new bits to the show this year, some of these are working nicely, but others either need honing or dropping. My preparations this year were far from ideal. I had three previews in the diary, one was awful, one ended up booking me for a different day to the one that we’d confirmed, and the other was rescheduled and then booked me as the same night they’d already scheduled a band. Nevertheless, the pub quiz structure is a solid one that works nicely and it’s only a few bits that need fine-tuning.

I know I should stop being so fixated on audience numbers, as the rooms have been nearly full every day. But when you’re doing essentially the same show in the same venue and time-slot as the previous year when it sold-out, you do start to worry when there are still tickets left over even if it is only a handful. I didn’t expect every day to sell-out this year, but I did hope that the weekends would at least.

I really can’t complain though, as I’ve already covered all my costs and made a bit of money. This is obviously amazing and shouldn’t be sniffed at. Although the show have been nice, I’ve not been fully satisfied with one yet and want to feel like I’ve earned anything I make.