Your browser (Internet Explorer 6) is out of date. It has known security flaws and may not display all features of this and other websites. Learn how to update your browser.
X

Posts tagged ‘Ross Kemp The Musical’

Post

Standing up and locking down

The other week, I had my first comedy gig since 7 March. They say the secret to comedy is good timing. And I suppose it was, as England would be back in lockdown less than a week later.

It was the same venue in Bristol I performed at in May 2018, when I was in rich vein of form and had one of my best gigs from that year.

What a difference two and a bit years make. This time, the audience was socially distanced and there were no intervals, which is not ideal for a comedy gig due to the bladder needs of audiences. But such measures are necessary all the same.

The audience got very heckley towards the end of the opening act who had done 20 minutes. Not nasty heckles, just a bit weird and persistent. As a result, I arrived on stage and they were a little restless. I had to try and get things back on track and manage the people who were having their own private conversations.

I felt rusty and so did my throat, with it threatening to stop working at certain points due to the number of muscles I’ve neglected in the last eight months.

With so much going on, I wasn’t entirely happy with how my set went down. Certifiable gold fell flat in places. But the second half of my set went much better than the first half, which is always the better than the reverse.

It’s never a great feeling to return to the scene of a great gig and not doing as well the next time. Nevertheless, it was nice to be back on stage and it takes several gigs in over a number of weeks or months to return to form. I was expecting to feel the adrenaline again that you can get immune to if gigging regularly, although it never really kicked in.

I certainly hadn’t missed driving to gigs. In fact, the experience reminded me just how much I hate the driving side of things and the multiple stresses involved, not to mention motorway lane closures on the way home. And in all honesty, I haven’t missed the regular grind of the circuit in the slightest.

I don’t have anything else booked up and with the way things are going, it seems wise not to. As things stand, I have no idea when I’ll do another gig.

At the moment, my main priority in comedy is writing my Ross Kemp musical. That may seem like an absurd sentence because it is. The entire project is absurd, but I believe in the idea and have a good feeling about just where it might lead. The last show I had a similar feeling about ended up doing pretty well indeed.

Post

A year, and a half

An entire year has now passed since I moved out of my flat and away from Manchester. And as I walked to my loaded up car, getting one final soaking from the Mancunian rain, I didn’t have any idea where I’d be a year later.

The only firm plans I had at that point were to go to Australia and NZ, which seems like another world away now. Then I was eyeing up a move to either Bristol or back to London after Edinburgh 2020, but a certain pandemic derailed things.

Instead, I have been living back home in Stroud for the past six months and will likely be here for at least another six months until things settle down a bit. I’ve been taking my dog for three mile walks pretty much every day since then, which has helped keep me sane.

I’ve been lucky to get a fair amount of freelance writing work, which isn’t paying loads but enough to pay the bills.

I haven’t done a gig since March when I was in NZ, and haven’t performed in the UK since the 1 November last year. I haven’t really missed it, mainly because the circuit isn’t really operating at the moment. But I do have my first post-Covid gig lined up for the end of this month. I’m looking forward to it, but don’t have a lot else in my diary.

One thing I have been working on is a ridiculous musical about Ross Kemp that’s been in my head since Edinburgh Fringe 2018. I’d not made much progress on it as I wasn’t entirely sure how I’d get it all together with the normal time constraints. But fortunately, the coronavirus has created a lot more time for such things. The other main thing holding me back was that I couldn’t think of a story; although it is now all coming together.

I’d been sending ideas for songs to one of my best mates from school, Rich Shillitoe. He’s an accomplished musician, so was the first person I thought of to work on the show after I had the idea. As it would turn out, he’s now also back living in this part of the world. And now after 20 years of living in totally different parts of the country, we’re in close proximity again. He’s been putting together some music for it and it is genuinely sounding amazing. I went around his house last weekend and all sorts of idea started flowing freely. It is all rather ridiculous, but I am very excited by this project. We’re hoping it will run at Edinburgh Fringe next year.